French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | Landschaft mit dem Begrabnis des Phokos | Landschaft mit Pyramos und Thisbe | Stormy Landscape with Pyramus and Thisbe | The Empire of Flora | Landschaft mit Polyphem |
Related Artists:
Dirck Barendsz
(1534?C1592) was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters, most notably Titian.
Julius Ludwig Friedrich Runge
painted Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste in
TURCHI, Alessandro
Italian Baroque Era Painter, 1578-1649 Italian painter. He first studied in Verona with Felice Brusasorci in whose studio he was recorded in 1597 (Brenzoni). Dal Pozzo reported that Turchi completed Brusasorci's Fall of the Manna (Verona, S Giorgio) after his master's death in 1605; his early Veronese paintings, such as the Adoration of the Shepherds (1608; Verona, S Fermo), are ambitious, with many figures and elaborate backgrounds, echoing the local tradition of which Paolo Veronese was the most distinguished exponent. Turchi may have gone to Venice with his fellow pupil, Marcantonio Bassetti, before moving to Rome c. 1614-15. He was paid for work in the Sala Regia of the Palazzo del Quirinale in 1616-17 (Briganti), where he collaborated with a team of artists, among them Giovanni Lanfranco and Carlo Saraceni. His part was to paint an oval medallion with the Gathering of the Manna (in situ) in a style that suggests Lanfranco's influence. He soon found patrons for altarpieces and cabinet paintings, among them Cardinal Scipione Borghese. By 1619 he had settled permanently in Rome and was a member of the Accademia di S Luca,